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Camille Saint-Saëns, Oratorio de Noël
Fernand de La Tombelle, Weihnachtsmesse

Jürgen Marxmeier, conductor
Ev. Gemeinde St. Johannis, Arberger Heerstr. 77, 28307 Bremen
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Ludwig van Beethoven, Sinfonie Nr. 9

Regula Mühlemann, soprano
Catriona Morison, alto
Julian Prégardien, tenor
Domen Križaj, bass
Balthasar-Neumann-Chor
Balthasar-Neumann-Orchester
Pablo González, conductor
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Max Reger: O Tod, wie bitter bist du
Johann Sebastian Bach (arr. Max Reger): O Mensch, bewein dein Sünde groß
Johannes Brahms: Warum ist das Licht gegeben den Mühseligen
Gabriel Fauré: Messe de Requiem

Erica Eloff, soprano
Jérôme Boutillier, baritone
Balthasar-Neumann-Chor
Balthasar-Neumann-Orchester
Lionel Sow, conductor
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G.F. Händel, Dixit Dominus, HWV 232
Wilhelm Friedemann Bach, Wohl dem, der den Herren fürchtet

Ute Igelbüscher, soprano
Julie Comparini, contralto
Nordwestdeutsches Barockorchester
Vocalensemble Harlingerland
Reinhard Böhlen, organ
Inka Drengemann-Steudtner, recorder and conductor

St. Magnus Kirche Esens, Kirchplatz, 26427 Esens
Admission: 15,00 Euro, 12,00 Euro reduced price
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Opera in five acts by Kaija Saariaho
Original libretto in Finnish by Sofi Oksanen
Multilingual libretto by Aleksi Barrière

With Nadine Lehner, Adele Lorenzi, Sarah-Jane Brandon, Fabian Düberg, Michał Partyka, Jasin Rammal-Rykała, Nathalie Mittelbach, Venla Ilona Blom, Laura Hilden, Océane Paredes, Valentin Fruntke, Rodrigo Andrade, Ioulia Spanou
Opera Choir of the Theater Bremen

Conducted by: Stefan Klingele
Staging: Marco Štorman

Theater Bremen, Goetheplatz 1, 28203 Bremen
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Opera in five acts by Kaija Saariaho
Original libretto in Finnish by Sofi Oksanen
Multilingual libretto by Aleksi Barrière

With Nadine Lehner, Adele Lorenzi, Sarah-Jane Brandon, Fabian Düberg, Michał Partyka, Jasin Rammal-Rykała, Nathalie Mittelbach, Venla Ilona Blom, Laura Hilden, Océane Paredes, Valentin Fruntke, Rodrigo Andrade, Ioulia Spanou
Opera Choir of the Theater Bremen

Conducted by: Stefan Klingele
Staging: Marco Štorman

Theater Bremen, Goetheplatz 1, 28203 Bremen
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Opera in five acts by Kaija Saariaho
Original libretto in Finnish by Sofi Oksanen
Multilingual libretto by Aleksi Barrière

With Nadine Lehner, Adele Lorenzi, Sarah-Jane Brandon, Fabian Düberg, Michał Partyka, Jasin Rammal-Rykała, Nathalie Mittelbach, Venla Ilona Blom, Laura Hilden, Océane Paredes, Valentin Fruntke, Rodrigo Andrade, Ioulia Spanou
Opera Choir of the Theater Bremen

Conducted by: Stefan Klingele
Staging: Marco Štorman

Theater Bremen, Goetheplatz 1, 28203 Bremen
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Opera in five acts by Kaija Saariaho\

With Nadine Lehner, Adele Lorenzi, Sarah-Jane Brandon, Fabian Düberg, Michał Partyka, Jasin Rammal-Rykała, Nathalie Mittelbach, Venla Ilona Blom, Laura Hilden, Océane Paredes, Valentin Fruntke, Rodrigo Andrade, Ioulia Spanou
Opera Choir of the Theater Bremen

Conducted by: Stefan Klingele
Staging: Marco Štorman

Theater Bremen, Goetheplatz 1, 28203 Bremen
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J.S. Bach, Vergnügte Ruh, beliebte Seelenlust, BWV 170
J.S. Bach, Gott soll allein mein Herze haben, BWV 169
J.S. Bach, Orgel-Concerto in d minor, BWV 1052

Julie Comparini, contralto
Katja Zerbst, conductor

Ev.-luth. Kirchengemeinde zu Oberneuland
Hohenkampsweg 6
28355 Bremen
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Opera in five acts by Kaija Saariaho
Original libretto in Finnish by Sofi Oksanen
Multilingual libretto by Aleksi Barrière

With Nadine Lehner, Adele Lorenzi, Sarah-Jane Brandon, Fabian Düberg, Michał Partyka, Jasin Rammal-Rykała, Nathalie Mittelbach, Venla Ilona Blom, Laura Hilden, Océane Paredes, Valentin Fruntke, Rodrigo Andrade, Ioulia Spanou
Opera Choir of the Theater Bremen

Conducted by: Stefan Klingele
Staging: Marco Štorman

Theater Bremen, Goetheplatz 1, 28203 Bremen
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Opera in five acts by Kaija Saariaho
Original libretto in Finnish by Sofi Oksanen
Multilingual libretto by Aleksi Barrière

With Nadine Lehner, Adele Lorenzi, Sarah-Jane Brandon, Fabian Düberg, Michał Partyka, Jasin Rammal-Rykała, Nathalie Mittelbach, Venla Ilona Blom, Laura Hilden, Océane Paredes, Valentin Fruntke, Rodrigo Andrade, Ioulia Spanou
Opera Choir of the Theater Bremen

Conducted by: Stefan Klingele
Staging: Marco Štorman

Theater Bremen, Goetheplatz 1, 28203 Bremen
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Cornelius Cardew: The Great Learning, Paragraph 7 – 1969
John Cage: ear for EAR (Antiphonies), 1983
Robert Schumann: Die alte, gute Zeit, (Op. 55/4), 1846
Robert Schumann: Geistervariationen, 1854

Carmen Buchert, soprano
Julie Comparini, alto
Sebastian Hübner, tenor
Florian Drexel, bass
J. Marc Reichow, piano

SCHOLA HEIDELBERG
Prinzhorn Choir
Conducted by Ekkehard Windrich
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Private event / Not open to the public

J.S. Bach, Ascension Oratorio BWV 11
J.S. Bach Cantata BWV 172, "Erschallet, ihr Lieder"

Margaret Hunter, soprano
Julie Comparini, alto
Christian Georg, tenor
Alexander Schuhmann, bass
St. Martini Capella
Matthew Glandorf, musical director

Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Les voix retirées
Song cycles by Rita Strohl (1865-1941) and Lili Boulanger (1893-1918)

Although productive and successful during their lifetimes, both Rita Strohl and Lili Boulanger lived outside of the artistic and intellectual communities that nurtured them. Strohl withdrew from Paris to found an experimental theater in a faraway village, while Lili Boulanger was forced to spend most of her short life in isolation due to chronic illness. It is highly unlikely that they ever met, and yet their artistic voices seem to recognize one another: in their choice of poetic texts and the delicacy of their musical settings, in the intensity of their expression, and in their ability to shape vast and radiant soundscapes from a place of seclusion. Their artistic dialogue is suggested here in the intimate form of a song recital, a genre uniquely suited to convey personal emotions, poetic imagery, and subtle shades of expression.

Rita Strohl, Dix Poésies
Lili Boulanger, Quatre Chants
Rita Strohl, Drei Lieder
Julie Comparini, contralto
Joelle (Yonit) Kosovske, piano

Villa Ichon
Goetheplatz 4
28203 Bremen
Tickets € 20 / € 15 reduced
Reservations: lesvoixretirees@use.startmail.com
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Les voix retirées
Song cycles by Rita Strohl (1865-1941) and Lili Boulanger (1893-1918)

Although productive and successful during their lifetimes, both Rita Strohl and Lili Boulanger lived outside of the artistic and intellectual communities that nurtured them. Strohl withdrew from Paris to found an experimental theater in a faraway village, while Lili Boulanger was forced to spend most of her short life in isolation due to chronic illness. It is highly unlikely that they ever met, and yet their artistic voices seem to recognize one another: in their choice of poetic texts and the delicacy of their musical settings, in the intensity of their expression, and in their ability to shape vast and radiant soundscapes from a place of seclusion. Their artistic dialogue is suggested here in the intimate form of a song recital, a genre uniquely suited to convey personal emotions, poetic imagery, and subtle shades of expression.

Rita Strohl, Dix Poésies
Lili Boulanger, Quatre Chants
Rita Strohl, Drei Lieder
Julie Comparini, contralto
Joelle (Yonit) Kosovske, piano

Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
Free admission, donations welcome
More Infos

Les voix retirées
Song cycles by Rita Strohl (1865-1941) and Lili Boulanger (1893-1918)

Although productive and successful during their lifetimes, both Rita Strohl and Lili Boulanger lived outside of the artistic and intellectual communities that nurtured them. Strohl withdrew from Paris to found an experimental theater in a faraway village, while Lili Boulanger was forced to spend most of her short life in isolation due to chronic illness. It is highly unlikely that they ever met, and yet their artistic voices seem to recognize one another: in their choice of poetic texts and the delicacy of their musical settings, in the intensity of their expression, and in their ability to shape vast and radiant soundscapes from a place of seclusion. Their artistic dialogue is suggested here in the intimate form of a song recital, a genre uniquely suited to convey personal emotions, poetic imagery, and subtle shades of expression.

Rita Strohl, Dix Poésies
Lili Boulanger, Quatre Chants
Rita Strohl, Drei Lieder
Julie Comparini, contralto
Joelle (Yonit) Kosovske, piano

Klosterkirche Lilienthal
Klosterstr. 14
28865 Lilienthal
Free admission, donations welcome
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Evensong service at the St. Martini-Kirche in Bremen-Lesum

Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella of the St. Martini-Kirche
Matthew Glandorf, musical direction

Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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W.A. Mozart, "Krönungsmesse" KV 317 as part of Easter Sunday services

Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella of the St. Martini-Kirche
Matthew Glandorf, musical direction

Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Good Friday services at the St. Martini-Kirche in Lesum

Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella of the St. Martini-Kirche
Matthew Glandorf, musical direction

Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Franz Liszt (1811-1886), Via crucis

Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella of the St. Martini-Kirche
Matthew Glandorf, musical direction

Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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Evensong services in der St. Martini-Kirche

Lisa Solomon, soprano
Julie Comparini, alto
Michel Gattwinkel, tenor
Alexander Schuhmann, bass
Capella of the St. Martini-Kirche
Matthew Glandorf, musical direction

Ev.-luth. Kirchengemeinde St. Martini-Lesum
Hindenburgstraße 30
28717 Bremen
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